A quiet setting for piano can be found in “Hymns We Love.” This hymn can also be combined in a medley with similar hymns. watch and pray G D G Find in Me thine all in all Chorus G Em7 Jesus paid it all G D All to Him I owe G C Sin had left a. Am C Child of weakness, watch and pray, F Dm Find in Me thine all in all. A straightforward handbell arrangement of “Jesus Paid It All” is suitable for a time of meditation. Intro Am C F Dm Verse 1 Am C I hear the Savior say, F Dm Thy strength indeed is small. It could be used as a short piano interlude as Communion is served, such as is found in “Hymn Miniatures for Communion.” For a time of meditation on the meaning of the sacrament, a quiet instrumental setting is appropriate. This hymn is associated with Lent and Holy Week, and is also suitable for Communion. Some hymnals indicate a fermata on the word “stain” in the refrain. This hymn should be sung quietly, in unison or harmony. The cabinet organ of the church had been moved to Grape's home during that period, and he took advantage of the access to the instrument to write this tune. Jesus paid it all, All to Him I owe Sin had left a crimson stain, He washed it white as snow. And when before the throne, I stand in Him complete 'Jesus died my soul to save,' My lips shall still repeat. tab titleChord Charts Jesus Paid It All Chart Kit Passion, Kristian Stanfill arrangement 1. It was written in 1868, while the church was undergoing renovation. Sin had left a crimson stain, He washed it white as snow. Grape, is the composer of the tune ALL TO CHRIST, which is the only tune to which this hymn is sung. The theme of the text is the completeness of Jesus' work on the cross, and the fact that humans have done nothing to merit such mercy, which means that we are forever in debt to Christ. Grape Jesus Paid It All sheet music notes and chords arranged for Piano Chords/Lyrics. It is not known who is responsible for the modern version. The original text had five stanzas, but the standard text in modern hymnals contains four, some of which are substantially altered from the original. It was first published in 1868 in Sabbath Carols. Hall wrote this hymn on the flyleaf of a hymnal, New Lute of Zion, during a Sunday morning service at a Methodist church in Baltimore.
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